Chapter 5: Stylistic Applications to Drama Introduction A play exists in two ways— on the page , and on the stage ; this presents something of a dilemma for the literary critic since the two manifestations are quite different and need different analytic approaches. When stylistics has focused on drama , it has almost invariably been concerned with the text, rather than the performance. The text, after all, is static and unchanging , (although different editions of a play might contain textual variations). The stylistician may easily turn back the pages to a previous scene, and make comparisons between speeches in different parts of the play, or even reach for another book, and make comparisons between different plays. The (live) performance of a play , on the other hand, is transient (short-lived). A speech only partially heard through inattention cannot be heard again on that occasion. Actors may differ in their performances from one night to the next, and a half-empty house mi
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